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Twitter (And I) React to Daft Punk’s ‘Random Access Memories’
Ok so today seems to be National Daft Punk Day (ironically on the same day The National’s album leaked…post hopefully coming soon) and with seemingly every artist weighing in on this monstrous album, we felt it necessary to highlight some of our favorite insights thus far via Twitter.
DotEXE starts it off with probably the most obvious of observations. In an era where Twitter gives everyone an “equal” voice amongst the internet, even the most uneducated of music listeners will take the opportunity to express how they think this album is “boring” because there are no “epic drops”. Go home “bro”.
Daft Punk’s album leak today… Proving anybody with ears is now a music critic
— DotEXE (@DotEXE) May 13, 2013
While it’s impossible not to love Zedd’s troll-like sense of humor, this is actually probably one of the most accurate statements to come out of the day. Growing up in a house with a father that LOVES jazz (dinner as a kid was accompanied by a soundtrack of David Benoit, Kenny G, David Sanborn etc.), it’s impossible to not make connections to great jazz guitarists like George Benson. A+ review from Anton Zaslavski.
If u like the new Daft Punk album I highly recommend also checking out “Best Of George Benson”. You will love it! itunes.apple.com/us/album/best-…
— Zedd (@Zedd) May 13, 2013
While I am admittedly part of “the youth” and a relatively new listener to dance music, it has been disturbing me as a lifelong music fan that live instrumentation was seemingly being phased out of popular music. Kids are treating music like it can only be enjoyed with the assistance of MDMA and even rap music (whose entire value is in the LYRICS for me) is rapping about their favorite girl Molly. Pharrell Williams himself said it and it’s refreshingly true in the case of RAM, “You don’t need MDMA to enjoy this music.”
To me the Daft album is for the youth.
— DJ Foot Massage (@atrak) May 13, 2013
Let me begin by saying I am a HUGE fan of the art of sound design. Teaching yourself is a time-consuming task that requires tons of trial and error, risks, and TERRIBLE sounds coming out of the speakers but when done correctly it has the ability to take your music to the next level. Aritsts like Porter Robinson, Knife Party, Synchronice & KOAN Sound come to mind as prime examples off the top of my head but that’s not to say I’m not missing some. Point is that in the haze of this “EDM” movement, it sometimes seems that people forget the musicality and human passion that poured out of the songs we loved before. Goldroom articulates this perfectly.
Everyone’s underwhelmed because everyone has become programmed to only respond to advances in sound design, not musicianship or songwriting.
— Goldroom (@goldroom) May 13, 2013
And this album is way soft on production/sound design and way heavy on musicianship and songwriting. Appreciate it for what it DOES do.
— Goldroom (@goldroom) May 13, 2013
Hit the jump for some other favorite responses that may or may not be updated as the rest of the Twitter-verse decides to weight in on Daft Punk’s latest album. Fire back in the comments to tell me you agree, don’t get what I’m saying or just wanna tell me to fall in a hole. Feedback is always welcome.
Written by: @randymcrandell | @thatnewjam
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An interview with Auvic

Recently I had the opportunity to throw some questions at up-and-comer Auvic, who’s production style is incredibly unique. In a scene where it seems artists are recently struggling to create something different, his new album Voices is a diamond in the rough. After hearing Gareth Emery use his track “Highways & Highways” in both his Sirius XM show and his weekly podcast, I was so hyped on the sound that I had to reach out and get some details. Auvic was kind enough to answer all of my questions, and so below is the conversation that followed.
Q. First off I want to thank you on behalf of TNJ for doing this Q&A. A few of us here recently took a peak through your new Voices album and we were truly astonished, as is everyone I’ve shown it to. Was there any specific inspiration or idea behind the album, or was it just a collection of your more recent work?
A. No Problem. Voices was never really ‘planned.’ Before this, I was mainly writing neo-classical complex electro stuff and funky complex electro, planning albums and all, but that all got pushed aside when I wanted to do something else, which was Voices. I had drafts and drafts of Induce Insomnia, which was the first track, but I had abandoned it because I didn’t have enough inspiration or ideas to continue on. A month or two later, I wrote ‘Voices,’ and that’s where it all clicked, and I knew exactly what I wanted and how I wanted it. As a whole, it’s inspired by insomnia, cityscapes, good times, funky music vibes, personal situations, and certain colors and emotions.
Q. The album has been getting some support by some big names, most notably Gareth Emery. Did he contact you regarding your music? And how does it feel to have these huge names playing your tracks?
A. Quite honestly, I’m not really too big on names and such. I first got some support like that when I released Starships from Sean Tyas, which was pretty cool. With Gareth Emery, I read on a Soundcloud comment somewhere that he played it on his radio show and his podcast. It feels pretty sweet.
Q. I’ve noticed from your Facebook profile that it seems you’ve had a bit of an up-and-down relationship towards music. Are there any specific artists you credit for your current involvement in the EDM scene?
A. When it comes to EDM alone, my two greatest tangible influences are Joey Youngman, aka Wolfgang Gartner, and Daft Punk. These two are geniuses, and I’ve spent countless nights just studying and studying their music and learning more about them. The more intangible ones are Kaskade and Deadmau5, I suppose since you may not be able to hear much similarities. I’ve been compared to Joe Garston and Mord Fustang, but honestly, that’s just two songs that I have that kind of sound like them, I guess.
Q. Well now that we’ve got a bit of insight into your music and inspiration, it’s time for some unrelated questions. What are your hobbies outside of music?
A. Going out and chilling with friends. I don’t really do anything else. Currently I’m studying full-time at Berklee.
Q. What’s something you couldn’t get by in life without?
A. My ears. If music never existed, I probably wouldn’t have either.
Q. If you were stranded on an island with an MP3 player that held only three songs, which three songs would you choose?
A. I would choose Face to Face by Daft Punk, my favorite song in the world. I would choose Counting Stars by Nujabes, my second favorite song in the world. And lastly, I would choose a song that I wrote more than 3 years ago for someone because it’s special.
Q. Seeing as you draw some influence from Daft Punk, you must be pretty psyched for Random Access Memories. Any opinion on the first single “Get Lucky”?
A. I’m literally geeking out over it. I’ve listened to it ever since bits of it have been released, and as we speak I’m listening to the radio edit which I’ve been playing on repeat for the past hour or so. Before that, I’ve even recreated and put together pieces of that song so I can get the full effect, just for fun.
Q. So the big question, what’ can we expect from you in the future? Any big ideas or plans for how you’ll be following up Voices?
A. I am planning MAJOR things. I’m currently writing several EP’s, a few collaborations, and other minor things. I’ve already started my 14-track album ‘Voices Call,’ while working on my first ‘planned’ album called ‘Beyond Ascendance.’ I’m also coming up with other album ideas as well, but they haven’t taken form yet.
Wow, seems like you’ve got your work cut out for you. It’s great to see such ambition, and I speak for all of us when I say that I can’t wait for it all to come together. We really appreciate you taking the time to answer these questions, and wish you good luck with all your future musical endeavors!
A. Awesome, sweet! Thanks!
Check out his new album VOICES below, and be sure to buy it on Beatport!
Auvic – FACEBOOK | TWITTER | SOUNDCLOUD
Written by: @roper22 | @thatnewjam
That New Jam’s Official Spring 2013 Finals Study Playlist
As seen over at BroBible, TNJ has aggregated some of our best study songs to help get you guys through the grueling weeks that take us into summer. I tried to keep things fresh and interesting with tracks from Kanye West, Deadmau5, Angels & Airwaves & Frank Ocean plus some of that classic orchestral music that you can zone out to. Leave suggestions and your favorite study songs in the comments!
That New Jam’s Official Spring 2013 Finals Study Playlist
Written by: @randymcrandell | @thatnewjam
Snoop Lion – Reincarnated (Full Album Stream)
In promotion of its release tomorrow, we have an official stream of Snoop Lion’s reggae infused album Reincarnated. We’ve already given you his collaborations with Drake with No Guns Allowed and with Miley Cyrus for Ashtrays and Heartbreaks but this album is great beyond the big names. With Diplo and the rest Major Lazer handling executive production, this is a truly reinspired Snoop Dogg expanding his artistry.
Snoop Lion – Reincarnated
Written by: @randymcrandell | @thatnewjam
Ketchup Post – LUZCID
LUZCID is the collaborative musical duo of Neil Berry and Jonathan Bartz. Currently based out of New Paltz, NY, the pair, in my opinion, should be commended for their ability to blend a multitude of genres and styles, while still creating a unique and tasteful sound. Their Shot Caller LP, which was just released earlier today, is a prime example of exactly that. Consisting of 5 original tracks and 2 remixes, it is a satisfying mix of diverse trapstyle tunes, that are guaranteed to have your bass kicking, and your feet moving. We may only be 4 months into 2013, but the duo has already opened for artists such as gLAdiator, Alvin Risk, and DJ Sliink, and is scheduled to play at the Bella Terra Music Festival, Forest Fest, and the Freedom of Expression Music Festival. With that said, look for 2013 to be a huge year for LUZCID! And be sure to cop their new Shot Caller LP!
LUZCID: Facebook | Soundcloud | Twitter
LUZCID – Shot Caller LP
Written By: @jfraz30 | @thatnewjam
BroBible’s White Girl Wasted Minimix
So after weeks and weeks of me having one problem or another with getting my sound to work, Christmas came early and ya boy got an overhaul and some fancy new digs. That said, I figured I’d celebrate with a fresh minimix that I literally just put together in the past half hour. I threw in some awesome new tracks like the Dillon Francis remix of Carried Away, the Diplo & GTA collaboration Boy Oh Boy & an old Porter Robinson mashup which I could literally listen to all day. I manged to squeeze 18 tracks into 35 minutes with a lot of variety Enjoy!
Minimix Must-Haves: Passion Pit – Carried Away (Dillon Francis Remix), Diplo & GTA – Boy Oh Boy, Porter Robinson – The Seconds, The Champ, Vandalism, Arguru (Porter Matchup)
BroBible’s White Girl Wasted Minimix
BroBible's White Girl Wasted Weekend Minimix by Thatnewjam on Mixcloud
Written by: @randymcrandell | @thatnewjam
The Ketchup Post – Dvnny Seth
Around 3 or 4 months ago, while I was exploring the vast abyss of music, that is Soundcloud, I came across a rapper out of London, going by the name Dvnny Seth (Pronounced “Danny Seth”). I was pleasantly surprised by his single, “£££,”, immediately downloaded his entire first mixtape, PRESPLIFFS VOL. I, and proceeded to eagerly listen to every song up on his Soundcloud page. I couldn’t put a finger on exactly what it was, but I was absolutely positive that I liked what I was hearing. Fast-forward several months, and Dvnny Seth has released another strong mixtape, PRESPLIFFS VOL. II, and is now on the radar of big name artists, such as Pharrell Williams.
£££ – Dvnny Seth
Seth’s British accent really accentuates the combination of his clever, yet meaningful verses and unique, polished flow, all of which set him apart in an already crowded hip-hop/rap scene. His tracks, often backed by heavy trap beats, frequently portray stories from throughout his life, and give off a very chill, relaxed vibe, making his music appropriate for many occasions. These factors, along with the fact that he has a distinct, A$AP Rocky-esque sense of style, made for the big-screen, give me the feeling that Dvnny Seth is poised to blow up very soon. Look for 2013 to be a very big year for the 22 year old, as he is set to release SHEETS: PACK 1 and PRESPLIFFS VOL.III later in the year…And, when Dvnny Seth becomes a household name, remember TNJ told you first!
Dvnny Seth – Facebook | Twitter | Instagram
Woop – Dvnny Seth
PRESPLIFFS VOL II – Dvnny Seth
Written By: @jfraz30 | @thatnewjam
The Ketchup Post – Ultra Music Festival 2013
This is the TNJ official Ultra Music Festival 2013 Weekend One recap post. While we couldn’t wait another second to give you the Porter Robinson set at sunset, we decided to hold off until the end of the weekend to give you guys the full roundup of the best sets from the first weekend of UMF. There was no shortage of greatness from TNJ favorites such as The M Machine, Flosstradamus and Major Lazer and don’t forget that Hardwell set that put Ultra Music Festival as a worldwide trend on Twitter. Dillon Francis had a human error moment and blamed it on the a-a-a-a-a-alcohol (but seriously Dilly if you don’t fuck up you’re not trying…just don’t make it harder than it has to be) while Kaskade & Armin Van Buuren proved why they’re festival Main Stage mainstays. If you’re looking for ANY sets at all check out THIS SoundCloud account which has literally EVERY set from the weekend for streaming (and include download links for you guys that are into torrents) but I’ll include my favorites/highlights below!
Dillon Francis – Ultra Music Festival Live Set Weekend 1
Flosstradamus – Ultra Music Festival Live Set Weekend 1
Major Lazer – Ultra Music Festival Live Set Weekend 1
Hardwell – Ultra Music Festival Live Set Weekend 1
Armin Van Buuren – Ultra Music Festival Live Set Weekend 1
Fedde Le Grand – Ultra Music Festival Live Set Weekend 1
Steve Aoki – Ultra Music Festival Live Set Weekend 1
Above and Beyond – Ultra Music Festival Live Set Weekend 1
Madeon – Ultra Music Festival Live Set Weekend 1
Written by: @randymcrandell | @thatnewjam
Jon Lin – Lost Souls & Gold [TNJ Official Sponsored Release]
We couldn’t be more proud to bring you guys our very own sponsored release for Jon Lin’s debut project Lost Souls and Gold! We’ve been working alongside Jon and Turk Productions to go make sure that his music can be heard by everyone in earshot for the better part of the last 6 months and this is a damn good start. Since I’ve known Jon, his lyricism has been on another level; give this a listen for 10 minutes and that will become on your face obvious. You can hear that east coast NYC influence throughout the project and the versatility of delivery this kid possesses is out of control. Be sure to grab the FREE download and support the artist by subscribing to the usual assortment of links below. Get used to seeing Jon Lin’s name as well as the rest of IVMG more often…they’re sure as hell not going anywhere fast.
Jon Lin: Facebook | Twitter | SoundCloud
Jon Lin – Lost Souls & Gold [TNJ Official Sponsored Mixtape]
Written by: @randymcrandell | @thatnewjam
Event Review: Zedd @ Webster Hall 2.28
Arriving to a packed ballroom at Webster Hall on Thursday, 2/28, Zedd rose to cheers and cries from hundreds of adoring fans. Originally a one night gig, a second night was added due to the overwhelming fan response. Both nights quickly sold out and Zedd, along side Tommie Sunshine and Alex Metric made Webster Hall quake, clarifying exactly why these shows sold out in only a few hours.
By the time the 23-year-old Russian Anton Zaslavski (Zedd) hit the stage, Webster Hall was teaming with sweaty bodies ready to unleash havoc as the youngster dropped his first track.
Zedd – Spectrum ft. Matthew Koma
The ballroom erupted into a cluster of thrashing bodies as he played a wide “spectrum” of tracks (pun intended), dropping everything from trap to dubstep into his mix. Combined with a stellar light show (courtesy of Production Club’s Gabe Damast – whom we have an interview that’s soon to come) and superb delivery, Zedd confirmed that he is a larger than life talent and performer.
Atmospheric bliss erupted as the crowd swayed and sang their hearts out to Zedd’s number one hit “Clarity”.
Zedd – Clarity ft. Foxes (Zedd Union Mix)
Spinning a two-plus hour set, Zedd finally wrapped up around 1 a.m., but not before an epic encore in which he instructed everyone to “sit the fuck down” before his final drop.
And despite what could’ve been considered a “run of the mill” set list, there was not a single person in Webster Hall who was not entertained. It was visceral, raw, and fun – everything a show should be… We just hope that Zedd shows his face around New York City a little more often – I’m positive nobody will be complaining.
ZEDD | 2 Nights at Webster Hall | 2/28/13 & 3/1/13 SOLD OUT!
Written by: @aimxhigh | @thatnewjam







![Jon Lin - Lost Souls & Gold [TNJ Official Sponsored Mixtape]](http://www.thatnewjam.com/wp-content/uploads/2013/03/lin2.jpg)









